
Articles
When doing nothing is the best thing you can do.
Can you trust? Can you accept? Can you imagine that it’s all happening exactly at the speed with which it’s supposed to be happening? That divine timing is not yours to control?
Mid-sentence, she gave a gasp. A look of horror flickered across her face as she said: a bird just flew into your window. We ran over to the front window of the house, in the direction that she’d been looking.
There, on the table on the front porch, a little chickadee with wings and legs splayed at odd angles lay very very very still.
My heart just about exploded as I looked over at Jamie and saw the worry, sadness and helplessness in her eyes mirroring my own.
He’s just in shock, I said, the tremble in my voice betraying the confidence my words tried to convey.
We drew the curtains to keep my three indoor cats (stirred by their primal hungers) from frightening the poor thing further and ran through the checklist of options available to nurse it back to health. But approaching it with offers of food, water or bed would just exacerbate whatever panic his wee heart was already subjected to.
In the absence of knowing what to do, we did the best thing we knew how.
Nothing.
(Not entirely true…I know at least two prayers were sent up.)
We pulled ourselves back to the conversations we usually have during our Wednesday co-working sessions: product launches, strategies, SEO, next steps. But it was flat. None of it mattered. Our hearts and minds were out on the front porch…willing the sweet bird to gather its strength, its will, its determination…to get it together as only it could.
We took turns stealing glances out the curtains, giving updates every couple of minutes.
He’s still just sitting there. His legs don’t look right. He seems to be breathing!
The reports became increasingly more positive.
He’s blinking. His left wing is facing the right way now. He’s looking around. He’s sitting up much straighter. Did he always have that seed in his mouth?
And then a micro-shift towards impatience.
Why isn’t he flying off? He seems fine now.
And finally,
He’s gone!
Hugs and hoots. (And disappointed cats.)
Sweet relief.
You feel it too, right?
You know that place. Of worry, frustration, fear…and then impatience.
As Fixers, it’s painful for us to sit by and wait for things to mend and heal on their own. And then excruciatingly painful to wait for them to take off in full and glorious flight.
AND? Some things just aren’t broken. Just stunned.
Give it time.
Waiting for news from the doctor? Give it time.
Your book sales? Give it time.
A visit from your muse? Give it time.
Your love to be met? Give it time.
Can you trust? Can you accept? Can you imagine that it’s all happening exactly at the speed with which it’s supposed to be happening? That divine timing is not yours to control?
You’ve said your prayers. You’ve examined the options.
When there’s nothing left to do, do nothing.
It will fly when it’s ready.
Check out my free training on the 5 Shifts Our Clients Use to Overcome the Imposter Complex and Grow their Income and their Impact
Where I pull back the curtain on five shifts to start raising voices, rates, and hands all while being the kind, congruent, and authentic leader I know you to be.
Beyond Compare: It's ready for you.
If you allow it to, Beyond Compare will help you to see where comparison: may be stopping you from creating what you want; may be preventing you from activating your calling; may be making you feel (and play) small for fear of projections; may be keeping you from expressing yourself fully; and, may be allowing you to disown your power (and hand it over to others).
It’s Beyond Compare launch day for Lauren and I. I’m writing this in that now-familiar swirl of emotions that even my meditation practice couldn’t still. That blend of excitement (huzzah it’s here!) and worry (how will it be received?) and relief (we pushed it out and here it is!) and exhilaration (and it’s GORGEOUS…and robust…and powerful…and RICH!) and in all honesty, exhaustion.
A year and three months. Hundreds of hours on Google Hangouts and hundreds more writing, researching, and editing. Two cross-country flights. Two video shoots (and a photo session). One false start and a name change. At least one astrological reading and subsequent launch date correction (suck it, Merc Retro!) Twodesigners, one tech wizard, hundreds of micro decisions (and dozens of macro), six early reviewers, one new MacBook Pro to handle the audio/video edits + uploads, and an incomparable partnership later, Beyond Compare is ready.
Oh how Beyond Compare’s ready.
As much as I’ve been writing here about comparison, I’m realizing that I haven’t been sharing much about what we’ve been researching and creating.
So you can see if YOU’RE ready for Beyond Compare.
Lauren and I have come to understand comparison as a three-dimensional structure. On the one plane, we compare up (looking up to others in a way that “others” us from them) and we compare down (judging and disdaining others in a way that, you guessed it, “others” us from them).
On the other plane, we compare ourselves to others AND we experience others comparing themselves to us. Up or down. Whether we’ve been put on a pedestal or are judged harshly, the impact of “othering” once again endures.
So that’s the framework.
If you allow it to, Beyond Compare will help you to see where comparison:
may be stopping you from creating what you want;
may be preventing you from activating your calling;
may be making you feel (and play) small for fear of projections;
may be keeping you from expressing yourself fully; and,
may be allowing you to disown your power (and hand it over to others).
(And clearly? Where comparison is keeping you feeling disconnected with all that “othering” going on. Given how much you value connection, I know this really stings.)
But most importantly, the program offers new ways of being with comparison. Kinder, more aligned ways that serve you, your calling, and others exquisitely well.
In fact, our Beyond Compare motto is:
Kindness – to self, and to others – begets perspective, focus, and a stronger core.
Consider:
What would you consume with joy if you were relieved of comparison and left with appreciation and inspiration?
What would be available if you could transform hero-worship into celebration?
How would it feel to be able to transform disdain into a practice of conscious critique instead?
What would you create if you were free from comparison?
THAT’S why we created Beyond Compare.
Because we can taste that freedom. And we want it for you. You too?
Feedback needn’t be a slippery slope. It’s a gift.
I’ve been telling this story a lot lately…that’s usually a good cue for me to share it here with the intention that it serve you well. When I was first starting out as an Account Exec at a marketing/advertising agency, I had a client who became a pain in the ass. Or rather, the RELATIONSHIP became a pain in the ass.
The road to said asshood was long and wind-y, but we both contributed to the ultimate destination.
Big part of it was that my then boss wasn’t a huge fan of boundaries. And I knew precious little about exerting them. Which, as we know is the death knell of any good relationship.
This was a "sexy" client (read: big fish), so our orders were essentially to hand them the sun, the moon and the sky, nomaddawhat.
It started with the creation of a rebrand (and logo). Normally, you would start here with a couple of black and white options and build from there. Not so with this client. They wanted to start much, much further along. Colours, sizing, variations…all buttoned down right out of the gate. We tried to deliver. No matter how many times we were sent back to the drawing board, we were told by our boss to keep going until the client was 1000% satisfied. No small feat, as they made all decisions by committee.
I recall us creating an iteration that was exactly, precisely TO THE what they had asked for. It didn't look right, or even kind of close, or even decent, but we presented it anyway because we had learned the hard way by that time (round #34?) to show them EXACTLY what they wanted...nomaddawhat.
But by then, they were seriously pissed that we were still so off in our design approach. How could we present something that looked so awful? (Great question.)
No matter how loudly we protested that it was EXACTLY what they had asked for, the response we got back was infuriating:
"Your job is to engineer the solution to the challenge".
Asshat comment. AND completely right. It WAS our job. We got it right on logo #53.
Yep. #53.
When we finally started to do what we should have done in the first place: own our expertise and stand in it. The very reason we were hired in the first place.
Two things I learned then:
1) Relationships require boundaries that honour both parties. Shame on us for not having delineated ours and requested theirs.
2) My job as the service provider IS to make the client happy (within those respectful boundaries).
3) Good feedback is a gift. One that we weren’t offered…nor did we really deserve it. We all behaved badly.
The subject of feedback, one I’ve been interested in for some time, came up in my Beyond Compare partner Lauren’s conversation with author, web designer and truly fabulous guy Paul Jarvis.
It was in the context of a discussion about evaluation. You see, one piece of our agenda with Beyond Compare is to help transform disdain (that quality of looking derisively down on someone) into the conscious critique of evaluation. (And transforming hero-worship into celebration...more on that another time).
Disdain’s easy to understand…it’s the “I can only see your flaws and limitations and deny my own”. Rich and fertile ground for discovery, as you can imagine.
Evaluation’s trickier and the place where we tend to fumble. It’s the “I see your limitations and recognize that I have some too” place. It’s the place of feedback and the choice to engage critically with someone’s work without making them wrong. Assessment, debate and difficult conversations live here. For the benefit of both parties. Like I say, tricky.
So I totally appreciate the clarity and simplicity that Paul uses when he talks about working with his own clients as the creative. He does what my team ought to have lo those many years ago LONG before logo #1 was even imagined…he shares a one-pager with his clients to make sure the exchange of feedback is fruitful, nourishing and USEFUL for both parties. Efficient too.
His top 2 biggies for offering feedback if you’re the client?
#1 - Refer back to goals when asking for changes; and,
#2 - Don't be prescriptive - describe what isn't working and allow me to problem solve how to fix it.
Super clear. The client is the client and the creative is the creative and the work gets co-created in a place of mutual respect. (He shares much more about this in his upcoming course for creatives.)
Let’s face it. Feedback feels like it’s a slippery slope because we all come at giving and receiving it from a strong and defended (and defending) ego.
But it needn’t be.
When we can focus on the goals, see the inherent possibility of the gift of feedback and come at it from a place of compassion and mutual respect, we are really that much closer to bringing our very best EVERYTHING forward.
Which is what it’s about, non?
Check out my free training on the 5 Shifts Our Clients Use to Overcome the Imposter Complex and Grow their Income and their Impact
Where I pull back the curtain on five shifts to start raising voices, rates, and hands all while being the kind, congruent, and authentic leader I know you to be.
The same old song: Our jobs as creators and fans.
If you’re a creator (and you are), your responsibility rests in finding your own edges. In staying open to the gifts that you will receive from the unimaginable source. In giving yourself wings - big flappy wing of expansion, and plenty of room. Taking off requires that. If you’re a fan (and you are), your responsibility rests in celebrating what you have appreciates about the artists’ work and to allow them their own space to evolve. It’s true, they may evolve beyond us and fly off to new places we don’t care to visit. It’s a risk we all must take together. It’s called progress.
+++++++ Whether you create (and you do) or are a fan of art (and you are), may this post offer you comfort, inspiration, or something in between.
With love,
++++++
To the Creators.
I’ve been giving variations on the same talk for a long time now, and it was beginning to make me feel like Peggy Fleming skating to a medley from Fiddler on the Roof. Perhaps this is what Fleming’s audience would want to see - left to our devices, we often want what is smooth and familiar and instantly warm.
– Anne Lamott (Traveling Mercies)
As the reader, I of course rooted for Lamott to give a brand-spankin’ new talk. One delivered from a place of fresh truth, freedom and expansion, happily assured that her audience would rise to meet her with thunderous applause and the adoration of a thousand fiery suns.
Turns out, when Lamott DID change up her talk, it was an unmitigated disaster. Sonorous silence, but for the lone cricket chirping away, looking for his mate. (It’s possible that I made that detail up being one of my own grade A biggie speaking fears. Yours too?)
As a fan of people taking big risks, swinging out and saying the truth, it’s really important, (and feels like it’s my civic duty) to point to a couple of contributing factors to the public speaking nightmare that unraveled on that stage.
1) The first is that she didn’t prepare. And the talk, in her words, bombed. We know this: if you’re a speaker, you must prepare and practice and train like it’s your job…’cause from the stage, that IS your job. Fin.
2) The second fact is that the crowd was disappointed that they weren’t getting exactly what they were thirsting for. Which is what she’d been delivering time and time again and they were used to it. They knew what to expect. Kinda like when you go to sip your wine and realize all too soon that you’ve sipped your kid’s milk. Kinda like that, but more cerebral-like.
And frankly, that’ll happen any time we deviate from the script that is “smooth and familiar and instantly warm”.
Which is why so few deviate from the script.
Which is ALSO why there is so little new, fresh and evolved. And that there are so many creative one-hit wonders (who succumbed to the Impostor Complex.)
Remember Elizabeth Gilbert’s famous TED talk on creativity and genius? It’s 19 wise and entertaining minutes that speak in part to her process facing the question: ‘How do I pull off “Eat, Pray, Love” again?’
In short, two words:
You don’t.
Or, in her words:
And it’s exceedingly likely that anything I write from this point forward is going to be judged by the world as the work that came after the freakish success of my last book…it’s exceedingly likely that my greatest success is behind me. Oh, so Jesus, what a thought! You know that’s the kind of thought that could lead a person to start drinking gin at nine o’clock in the morning, and I don’t want to go there. I would prefer to keep doing this work that I love.
The fear of a success and the subsequent “how do I top that?” is a bona fide fear that is revealed to me in hushed tones time in time again by my brilliant coaching clients:
“I’m terrified that this (project, book, launch, business, endeavour, talk etc) will be such a screaming success and I won’t be able to top it, or deliver again”.
While Elizabeth Gilberts’ follow-up “Committed” wasn’t a flop the way Lamott’s talk was, it wasn’t the screaming success that “Eat, Pray, Love” was either.
So?
Neither Lamott nor Gilbert allowed that to stop them. Which is why you know who they are to this day.They are brilliant women, prolific artists and communicators who kept doing the work and DIDN’T become one-hit wonders.
If you’re an artist and you experience success, you will undoubtedly ask yourself:
‘How do I pull off my own personal version of “Eat, Pray, Love” again?’
I repeat:
You don’t.
You’ll create anew. That is, if you heed the Big Point of Gilbert’s talk:
Maybe [artistry] doesn’t have to be quite so full of anguish if you never happened to believe, in the first place, that the most extraordinary aspects of your being came from you. But maybe if you just believed that they were on loan to you from some unimaginable source for some exquisite portion of your life to be passed along when you’re finished … it starts to change everything.
It’s not about you, Dear Artist. It’s bigger than you.
++++++
To the Fans.
A confession. If I ever went to see Peggy Fleming, I bet I’d want to see her skate to a medley from Fiddler on the Roof. If I ever saw Anne Lamott talk, I suspect I’d want to hear share some of the stories that I know and love of hers. And if I ever saw Lauryn Hill in concert, I’m fairly certain I’d want to hear her perform “Doo Wop (That Thing)” from her brilliant 1998 album "The Miseducation of Lauryn Hill".
Because I like what I like and sometimes I like that which is "smooth and familiar and instantly warm".
I don’t love the new and experimental. There. That’s my confession. And it’s a big one.
Which is why this piece by Talib Kweli Greene about the backlash against Lauryn Hill struck me so.damned.hard.
Where have I been treating artists like products?
“The artist is a human being, not a product. Sure, the artist makes products that are for sale, but the artist is not forever in your debt because you may have purchased a product from them at some point.”
Where have I expected to be pandered to?
“Artists make art for themselves. Art is an honest expression. Artists who pander to their fans by trying to make music “for” their fans make empty, transparent art. The true fan does not want you to make music for them, they want you to make music for you, because that’s the whole reason they fell in love with you in the first place.”
It’s not about you, Dear Fan. It’s bigger than you.
Where have I felt like an artist owed me something?
“However fans are not your boss, and listening to them when it comes to creative decisions is a slippery slope. I am not obligated to make the same album over and over again just because fans demand it. I am allowed to try new things, succeed at them or fail at them.”
Yes. Yes. Yes yes yes yes.
With every fibre of my being, I know this to be true:
You are allowed to try new things, Talib Kweli Greene. You will fail and you will succeed.
You are allowed to try new things, Anne Lamott. You will fail and you will succeed.
You are allowed to try new things, Elizabeth Gilbert. You will fail and you will succeed.
You are allowed to try new things, Tanya Geisler. You will fail and you will succeed.
You are allowed to try new things, dear reader. You will fail and you will succeed.
(Understanding what success and failure means is up to us, individually.)
Do what comes next. Write the next book, take the next stage, launch the next THING, create the next project, paint the next canvas.
It may well become an unmitigated disaster. And it may not be.
The Point.
If you’re a creator (and you are), your responsibility rests in finding your own edges. In staying open to the gifts that you will receive from an unimaginable source. In giving yourself wings – big flappy wing of expansion, and plenty of room. Taking off requires that.
If you’re a fan (and you are), your responsibility rests in celebrating what you have appreciated about the artist’s work and to allow them their own space to evolve. It’s true, they may pass us over and fly off to new lands we don’t care to visit. It’s a risk we all must take together. It’s called progress. (And? It wouldn’t kill any of us to challenge our palate, she said pointedly to herself.)
Check out my free training on the 5 Shifts Our Clients Use to Overcome the Imposter Complex and Grow their Income and their Impact
Where I pull back the curtain on five shifts to start raising voices, rates, and hands all while being the kind, congruent, and authentic leader I know you to be.
Blinded by jealousy?
It's not your fault. That’s what jealousy does.It blinds you. Or, more accurately, it only allows you a partial view of someone’s fortune, life, experience and obscures the rest. And because we humans just can't cope with uncertainty, we fill in the blanks with our imaginations.
A little something like this:
If someone you’re eyeing is enjoying the success you desire, then they must also be enjoying the intimacy you crave. If they have the friendships you dream of, they must also have the financial stability you yearn for. This AND that.
Jealousy deals in absolutes, with little room for nuance or space for discernment. AND? With little allowance for the capital “t” Truth.
We see what we choose to see and are blind to the rest.
Maybe you know that the French word for jealousy is “jalousie”. But did you also know that a “jalousie” is also a window shutter with angled horizontal slats? Also know as a...(wait for it)...“blind”?
Funny thing about jalousies…they are designed to allow you to see outside without being seen yourself.
(You see where we're going here, right?)
Yeah…jealousy and blind go hand in hand.
But, of course, jealousy is also an on-point teacher. A snarling, frothing, lusting, hot-breathed swamp dog of a teacher, mind you, but an on-point teacher just the same. Within what you choose to see (and what you've made up that you see) lie your desires: success, intimacy, relationships, and financialstability.
Knowing what you want, of course, IS the first step in making what you want to happen, HAPPEN.
And here's what I want for you:
I want for you to come out from behind the blinds that offer such a limited view of others. And such a limited view of yourself and what's available.
I want you to experience the fullness of the person you feel jealousy towards. And to experience the fullness of yourself. Just add curiosity.
I want for you to see how relative this all is.
I want you to bring some compassion into the fold. For you. For them. For the next time you feel jealous (and you will).
I want you to see, REALLY see, that the magnificence that you've projected onto them is but a prism caught in the light of your own magnificent potential.
I want you to get out from behind the blinds of jealousy and into that light.
Because the light, the light...oh it's so very much warmer in the light.
Check out my free training on the 5 Shifts Our Clients Use to Overcome the Imposter Complex and Grow their Income and their Impact
Where I pull back the curtain on five shifts to start raising voices, rates, and hands all while being the kind, congruent, and authentic leader I know you to be.
Take the time to shine light on someone else
Many (many) years ago, I signed up for a course that Pam Slim and Chris Guillebeau co-created. I knew OF Chris, to be sure, but took the course based on my (fabulous) experience of working with Pam.
The sign-up process was smooth and seamless. Several hours later, I received a separate email from Chris on my iPhone. It was so long ago that I don’t have the words verbatim, but it was along the lines of:
Hey. Great to meet you. Love your site. Love your Mom’s mantra. You’re clearly living it well. - Chris.
I actually remember stopping in my tracks and rereading it three times. Nope, it was clearly not an autoresponder.
Shaking my head, I walked on, wondering:
Who had time to go through and read every registrant’s website?
Who had time to respond to each registrant, shining such light on them?
Chris did. He MADE the time.
Since then, I’ve purchased his books, interviewed him in my Thing-Finding-Thursday series, flew across the country (twice) to attend his World Domination Summit (and have invoked dozens of other people to do the same) and speak often of him and his work (in fact, just did this morning with a client).
Yes, yes. He does good work, is a prolific writer and has reams of good information to share. But I’ve been a devotee of his since THAT email. In less than 10 minutes of his time, and in under 20 words, his desire to connect to where I was, his desire to shine a bit of light my way has been a gift that I have cherished and have learned from. He’s been in my heart ever since, and from that place of deep trust, I’ve helped build his audience.
+++++++
So often, we stop short of sharing what we see in others. We think that by doing so, we are being arrogant, or ego-driven, or overtly bold. We wonder if they’ll doubt our sincerity.
But what if you dared to shine the light on someone else anyway? You have it in abundance. What if you just.gave.it.away?
Right now, think of 5 people are in your realm that you admire. It could be someone in your audience, your client base, your colleague/peer group, or someone you look up to.
Tell them what you love about what they’re doing or standing for. Right now. Be honest. Be specific.(For inspiration, you can try any of the following options below ... or all of them as long as it's authentic.)
Thank you for modeling xyz for me. It’s an edge I continue to want to grow, so I’m grateful to you.
From your work/words/teachings, I’ve learned/I am learning xyx.
Because of what you’ve shown me, I am shifting xyz.
The impact of shifting xyz will mean this in my life.
And when they ask to use these words in a testimonial, say: yes, of course.
Because you meant the words. They were rooted in your truth and in your heart and you have plenty more of that to give. PLENTY.
With love,
Check out my free training on the 5 Shifts Our Clients Use to Overcome the Imposter Complex and Grow their Income and their Impact
Where I pull back the curtain on five shifts to start raising voices, rates, and hands all while being the kind, congruent, and authentic leader I know you to be.